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Written works from the perspective of preservation. "Bring Dance Back To Dance"
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Why Not to Conform To What Dance Is Becoming
In order to perserve an art form you must first respect it. The beauties and ways of an artform are tried and true. What it looks like to remain truthful to your craft has been proven time and time again. Specifically regarding classical ballet, actions are being done to strip the art of its sustained regailty and standard. I know there are many converstions swirling the idea of innovation within this long-standing form but truthfully, at best, what is happening is a deterioration of what it means to be a ballerina, dance a ballet and strive for top ranks within a ballet company. A lot of what social media notes as "breaking barriers" is actually the breaking of systems that is lowering the standards. Hair, race, skin color and facial features have been some of the headliners of the "fighting inequality in dance" chat. While I will never pretend to not see the reality of what many (including myself) have faced in dance companies with rigid opinions of the above topics, they are not an excuse to broadcast answers that demean the entire process of beginning, pursuing and engaging in a professinal dance career. Ballet overall has faced many scrutinies behind some who have chosen to abuse their power by isolating those with phynotpic differences. That is wrong. However, there are some things that should never have anything to do with having a ballet career. The shade of someone's skin, the texture of a person's hair or how a person lives their life. These have nothing to with having a ballet career because what does matter is your skillset, commitment to the art, growth, artistry, competence and teachability. When things that do not matter become the focal point, standards dwindle.
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