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Top 5 Dance Moments of 2024

Is it me or does the sound of this upcoming new year make you think of flying cars and elevators being suspended mid air? We are already knocking on the door of year 2025 but before we sign off let's look at a few top-tier, congratulatory, historic dance moments from this year.  Once you get to the end of my five, feel free to share this article to your social accounts and add your five! No matter what the years bring, dance always leaves me inspired, ignited, reinvigorated and restored. So, here we go! In no particular order, here are my top 5 dance moments of 2024. First up is Robert Battle becoming the resident choreographer for Paul Taylor Company. After over a decade of carrying the legacy of Alvin Ailey as its third Artistic Director, Mr. Battle announced his plans to resign from the position. When I read of the news it was jarring but I figured I had to get over it. Not long after, however, I'd hear of happier news and I couldn't be more delighted for him. Next up i...

How Black Dance Is Being Overshadowed By Grief

 Collectively, can we agree that belaboring the topic of black women obstacles in dance should be done away with? The longer we cradle and relive the less than pleasant experiences, the more we victimize ourselves. At some point we must stop and think. If the hi light of majority of "black dancer" interviews or  "black dance" specifics, echoes struggles, misfortunes and ostracisms above the work, what are we actually in constant discussion about? Is anything being solved? And don't mention the visibility of black dancers because that argument is a weak one (that's a different article). Some things aren't really that big of a deal. Some experiences are horrible because some people just don't care who you are and are married to who and what they think belongs on stage. Some things just aren't worth your time and consideration. The more I read about black dancers, the more I am reminded of struggling. All of the black dancers I can think of right now are incredibly successful. To tarnish a career and the work of an artist with the dated woes of black dancer inequality is no longer recognizing history or creating. It is just plain old depressing. In a 2022 article I emphasized Why It Is Useful To Redefine What It Is To Be A Black Dancer . After one too many weird experiences, joined with the shared rise of black dancer dilemmas, I wrote that article to spread hope. Take it in. Make a decision. The rest of the world is dancing while we are steadily defending. We have got to change that. 

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