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Are You Still Immersed In The Process? How Content Culture Can Cap The Artist

 It felt so good to move, undulate, and slide into a deep second position to recoil into a contorted contraction. It truly felt like breathing. Surely, I adore codified technique. However, taking a contemporary class last night taught me way more than I bargained for. Get out of your headspace, get out of the mirror, ditch the "content concept" and just dance. I reckon that is my honest thesis. I felt like Jodie (without my Cooper) as I whisked across the floor. Throughout class I thought about the likes and wisdom of dancers like Robert Battle and Matthew Rushing. While dancing, I recalled both of their sentiments that included abandon and connection (to the floor, to the movement, to the work...) while dancing. Truly, I felt that. Suddenly, I am met with a challenge. Maybe it's culture or maybe its Maybeli — nope! It's definitely culture.  For about one minute, I wrestled with walking off of the floor, grabbing my phone, finding a proper angle to record, propping...

Being Body Positive In The Dance World


 Today, the term "body positivity" is marked by disregard for health, boundaries and standards. Even within the dance and theater industry, Bill INT 0209, although targeted for New York City, has been initiated to prohibit discrimination against body weight and height as it relates to employment opportunities. Although the bill outlines more areas it would cover, this is closely wrapped up in a new movement known as Broadway Body Positivity Project.

The conversation of body positivity rarely, if ever, speaks to encourage artists on dance and theatre stages to attain our best bodies. Let me be clear. There are a variety of body types within the industry and that is where we should be working to attain the best look. And although this is 100% unpopular, we should even be working to attain our best bodies for dream roles and productions, if applicable. The work is fun!

No one wants to say that some places are simply more accepting of certain body types. Some places have more flexibility in that regard, some have strict guidelines while others have strict regimes should you accept the contract. There are literally organizations that will not accept you if you are skinny. Some will not accept you if you are fat. Some will accept you with a grace period to work at a thing so that you come to meet the standards. These are some of the truths of the industry.

Calling for discrimination blockers against things that are humanly controllable is aggression towards  those in artistic direction and leadership. My very first season with Columbia City Ballet I had a tough beginning. I was not my greatest self . My director said to me "Don't worry, you'll get in shape". I had a period for this to happen and it did. If I am being completely honest, my physical body shape, although I have a small frame, was not as put together for a classical ballet look. As time went on and even as I moved into my next season, I carried the look and literal embodiment of what I wanted to acquire. I knew how I wanted my hamstrings to flex and how I wanted my calves to look. I also know how my physical appearance will enhance my work, roles, beauty and consideration for future roles.

Body Positivity within your dance career is paramount! Have a healthy perspective of your body and the role it plays for your career. Don't walk around forcing directors to accomodate what you don't want to work on and calling them out for it. True discrimination is not allowed. It is wrong and hurtful. We are talking about realizing the industry we are in and attaining grit and grace. There are places for you. Shine there, and where you can work, get after it! 





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