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Where Diligence Dances Louder Than Perfection: The Shift That Builds Legacy

 The dedicated artist quickly becomes acquainted with difficulty, tough days and that sort of tug-of-war with mastery. I'm sure you've been there. It's those moment s y ou need to analyze after relaxing into the burning muscles and deep sigh because who is thinking about anything else while trying to stay alive in ballet? Since beginning my dance career, I have always been coached by incredible teachers.  Literally!  Dale Shields, Lydia Abarca-Mitchell, Erin Jaffe-Gardner and so on. While still a high school student, I learned to handle the demands and pressures of dance training to become a professional. I wouldn't say that tough moments feel unfamiliar to me, it's knowing how to deconstruct them for greater outcomes.  Yesterday I learned that I don't need to be a crazy perfectionist in order to elevate my body, mind-body connection, artistry or overall beauty. At this point in my career, I am unlearning and relearning a couple of things. I enthusiasticall...
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How To Be More Than A Dancer

connectivity, grace, passion, teachability, discipline...

These are a few characteristics that come to mind when I think of being more than a dancer. On the surface, a dancer is one who can execute well. A dancer can even be one who enjoys dancing, but on the Artist Impression's platform we love to dig deeper. I always want readers to challenge their thoughts and actions about dance and within dance because a restorative awareness is needed within this craft. 

Today it is nothing to walk into a class or audition where dance talent is swarming. Dancing along is not special. In some arenas, now, this may be the case. However, when considering a professional career and even an impactful career in, one must fulfill everything and then the steps. What are some words that come to your mind when you think about ways to be more than a dancer? Develop those within. Whatever your words are, keep in mind that they are not relegated to only an emotional performance. Your execution of grace, connectivity and maturity, for example, begins to develop during your training. Rehearsals (which Milton Myers told us is like our lab), more rehearsals, classes and observing either of the two can help develop who you are beyond perfect memorization of choreography. Proper execution is needed. This is why we take technique classes. However, there is more.

Here are three ways I believe you can be more than a dancer:

Be versatile, be willing to discover, be dedicated to the work and the craft...

What are some ways you can be more than a dancer?

Be bold with what you come up with and be dedicated to your journey and truth.






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