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Once Again, It's Time for A Dance Revolution

 The world of dance is approaching the height of an Arts era that has not been experienced since the very fresh arrival of Mikhail Baryshnikov's beauty and brilliance on United States soil. Just reading about the times and the likes of him, Judith Jamison and even others before them; I become inspired all over again. It's really such a wonderful way to imagine dancing, in a world that has no choice but to welcome dance's force and impact, through the lens of brilliant artists who took a chance on themselves for the love of the art. It was brave! Those historic moments took the world, various industries alike, by storm. And for the first time ever, I am over the moon with excitement that a time such as that has come around again.  I never knew what I was waiting on. Beyond the work I've done, classes I've taken, shows I've performed in, there came a point where I wanted something to change. I wanted more. Then, suddenly, I knew something was brewing but couldn...

When Is A Great Time To Dance In Truth

 Is there room for the greatest form of empowerment being that of truth? Quite often I think about my unique perspectives. I am a black women in dance, primarily, classical ballet, while also being a founding dance major of my former university and  Magna Cum Laude graduate of that university, which is an HBCU. 

That was a lot. Reread if needed. I definitely had to. 

We realize that social media and various personal platforms play a significant role on the psyche and confidence of a people. Groupthink can kick into high gear when you are that woman so many people advocate for within dance. You check every "box". Yet, somehow, you find the recurring forms of black women in dance empowerment to be oddly cyclical and a huge proponent of black woman isolation within the art. If someone was were to say "Raise your hands if you are a black woman in ballet because I want to share the recent social news with you. I want to empower you within your career.", I'd raise my hand. But, although I look like the "black ballerina", I don't believe a lot of what is shared is healthy for the mentality of a minority in this art form. The going narratives seem to perpetuate the segregation of one race from the majority, leaving me to feel the charge of blaring a liberating truth while ditching the "victim mentality". 

 I just want to dance. 

People can feel that, you know? Those who simply want to dance instead of dancing through the formations of regurgitated history that should be a banner and stepping stone for us. Unfortunately it is often willed as a weapon of hierarchy and entitlement. Do you want to dance? I've shared it over and over that the history of black dance leaders and legends (since I'm being specific) already lends itself to a place in history where we can now thrive without "race leading". What do I mean by that? Everything we accomplish or do stemming from our dark skin, people being racists toward our dark skin, our hair, ancestors and the history of heinous, demeaning and embarrassing treatment. 

If we're talking about the work, race does not matter. In 2020 I was forced to think deeper and arrive at intellectual and introspective thoughts concerning the effects "race leading" has within the industry of dance, theatre and entertainment at large. This is a topic I am constantly exploring and adding verbiage to. As I live out personal encounters and witness others' around me, I am inspired to empower dancers to live, think and dance victoriously.


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